I use them now mostly for whites and touchups. They are easier to control, but have less line variation and hold less ink. In fact, I used to use them exclusively up until I fell in love with the real sable ones. Roymac 'Golden Sable' Brush - Synthetic fibre - I learned to ink with these cheaper brushes, and used them professionally for years. These are a little more pricey than some, but if you take good care of them they can last for years. W&N sizes tend to run large, so it is more like a #3 in other brands. They hold a lot of ink, and offer a large variance of line. Winsor & Newton Series 7 Brush - Pure Sable - These are nice brushes. Lamp - Get yourself a 'daylight' globe - it's easier on the eyes and casts a more natural light which is necessary if you are using colour. Some people use a lap board against a desk, which is a great, portable option, too. I used to have my board at a much higher angle, but over the years of drawing in sketchbooks on my lap, I've brought it down to match. An angled surface allows you to view the art with a better perspective. Drawing on a flat table is not only bad for your back, but affects the way you view your art - elongation and distortion can occur without you realising it. But there are a few more items that are handy in a studio setup:ĭrawing Board - Drawing on an angled surface is very important. ![]() At the heart of it there is just paper, brush and ink. ![]() The beauty of this style is that you don't need much. Take what you like on board, and do what suits you best.Īhem. ![]() The only book I've read is 'How To Draw Comics The Marvel Way' at the age of 15, and over the years I've experimented, studied my favourite cartoonists, and slowly developed (developing, still) a style and flow that works for me. Plus, let it be known that I am completely self-taught. Disclaimer: I change my tools and workflow from time to time.
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